The redefinition of "The Jamette" by female soca artistes in Trinidad

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dc.AdvisorBurke, Suzanneen_US
dc.DateSubmitted2015
dc.DegreeTypeDoctor of Philosophy (Ph.D.)en_US
dc.DepartmentInstitute of Caribbean Studiesen_US
dc.FacultyFaculty of Humanities and Educationen_US
dc.InstitutionUniversity of the West Indies (Mona, Jamaica)en_US
dc.LCCallNumberML3486.T7 B37 2016en_US
dc.contributor.authorBarratt, Kai
dc.date.accessioned2017-09-16T15:38:53Z
dc.date.available2017-09-16T15:38:53Z
dc.identifier.urihttps://hdl.handle.net/2139/44867
dc.rightsPlease contact the West Indies and Special Collections at the University of the West Indies, Mona in order to view the full thesis. Contact: wisc.library@uwimona.edu.jm.en_US
dc.subject.lcshSoca -- Trinidad and Tobago -- Sex differencesen_US
dc.subject.lcshSoca -- Trinidad and Tobago -- History and criticismen_US
dc.subject.lcshCalypso (Music) -- Trinidad and Tobago -- History and criticismen_US
dc.subject.lcshGender identity in music -- Trinidad and Tobagoen_US
dc.subject.lcshWomen Soca singers -- Trinidad and Tobagoen_US
dc.titleThe redefinition of "The Jamette" by female soca artistes in Trinidaden_US
dc.typeThesisen_US

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