Soul in iron: origin and development of the steelband, 1939-1951
| dc.Advisor | Chevannes, Barry | |
| dc.DateSubmitted | 2001 | |
| dc.DegreeType | Doctor of Philosophy (Ph.D.) | |
| dc.Department | Sociology, Psychology and Social Work | |
| dc.Faculty | Social Sciences | |
| dc.Institution | University of the West Indies (Mona, Jamaica) | |
| dc.LCCallNumber | ML1314 .J64 2001 | |
| dc.contributor.author | Johnson, Kim Nicholas | |
| dc.date.accessioned | 2008-12-02T12:56:26Z | |
| dc.date.available | 2008-12-02T12:56:26Z | |
| dc.date.issued | 2008-12-02T12:56:26Z | |
| dc.identifier.uri | https://hdl.handle.net/2139/1272 | |
| dc.language.iso | en | en |
| dc.rights | Please contact the West Indiana Division at the University of the West Indies,St.Augustine in order to view the full thesis. Contact: wimail@sta.uwi.edu | |
| dc.subject.lcsh | Steel bands (Music) -- Trinidad and Tobago -- History | |
| dc.subject.lcsh | Popular music -- Trinidad and Tobago -- History and criticism | |
| dc.title | Soul in iron: origin and development of the steelband, 1939-1951 | en |
| dc.type | Thesis | en |
