The Privatisation of Panorama

dc.contributor.authorTarradath, Selwynen_US
dc.contributor.otherThe University of the West Indies, St Augustine Campus, Trinidad and Tobagoen_US
dc.date.accessioned2015-09-21T16:58:45Z
dc.date.available2015-09-21T16:58:45Z
dc.date.issued13-Sep-97en_US
dc.description.abstractPan Trinbago is still faced with a number of challenges that affect the steelband movement, twenty-six years after being established. Panorama remains one of the most formidable challenges facing Pan Trinbago and in the 1998 edition of Panorama, one of the main items on the agenda was a proposal to lower the number of players in participating bands from 120 to 80. The Minister of Culture has given Carnival bodies including Pan Trinbago the responsibility of running their own shows, assisted by a grant. Panorama has become the main focus of the steelband movement but this "Panorama Syndrome" has retarded the progress of the steelband movement and limited the movement's potential to become a viable economic entity.en_US
dc.identifier10+en_US
dc.identifier.citationTarradath, Selwyn. "The Privatisation of Panorama." Trinidad Guardian. 13 Sep. 1997: 10+. Print.en_US
dc.identifier.urihttps://hdl.handle.net/2139/40867
dc.publisherTrinidad Guardianen_US
dc.rights©Trinidad Guardian Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research.en_US
dc.subject.lcshSteel bands (Music) -- Administration -- Trinidad and Tobagoen_US
dc.subject.lcshSteel band music -- Trinidad and Tobagoen_US
dc.subject.lcshPanorama (Musical festival)en_US
dc.subject.lcshSteel bands (Music) -- Competitions -- Trinidad and Tobagoen_US
dc.subject.otherPan Trinbago (Organization)en_US
dc.titleThe Privatisation of Panoramaen_US
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