Popular music production in Kingston, 1956-2006, creative genius, (dis) functional institutional framework
| dc.DegreeType | Doctor of Philosophy (Ph.D.) | |
| dc.Department | Institute of Caribbean Studies | |
| dc.Faculty | Faculty of Humanities and Education | |
| dc.Institution | The University of the West Indies, Mona | |
| dc.LCCallNumber | ML3486.J3 H69 2011 | |
| dc.contributor.author | Howard, Dennis Oliver | |
| dc.date.accessioned | 2019-07-01T17:55:10Z | |
| dc.date.available | 2019-07-01T17:55:10Z | |
| dc.date.submitted | 2010 | |
| dc.identifier.uri | https://hdl.handle.net/2139/47213 | |
| dc.subject.lcsh | Popular music -- Jamaica -- Kingston -- History and criticism | |
| dc.subject.lcsh | Sound recordings -- Production and direction -- Jamaica -- Kingston | |
| dc.subject.lcsh | Popular culture -- Jamaica -- Kingston | |
| dc.subject.lcsh | Music trade -- Jamaica | |
| dc.title | Popular music production in Kingston, 1956-2006, creative genius, (dis) functional institutional framework |
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