Heretical reconciliation: the word as creative rite, spectacle and performance in the work of Derek Walcott
| dc.DateSubmitted | 1995 | |
| dc.DegreeType | Master of Philosophy (M.Phil.) | |
| dc.Department | Liberal Arts | |
| dc.Faculty | Arts and General Studies | |
| dc.Institution | University of the West Indies (Saint Augustine, Trinidad and Tobago) | |
| dc.LCCallNumber | PR9272.9.W3 Z55 1995 | |
| dc.contributor.author | Gillespie, Fay | |
| dc.date.accessioned | 2008-12-02T12:58:45Z | |
| dc.date.available | 2008-12-02T12:58:45Z | |
| dc.date.issued | 2008-12-02T12:58:45Z | |
| dc.identifier.uri | https://hdl.handle.net/2139/1291 | |
| dc.language.iso | en | en |
| dc.relation.uri | https://hdl.handle.net/2139/39149 | |
| dc.rights | Please contact the West Indiana Division at the University of the West Indies,St.Augustine in order to view the full thesis. Contact: wimail@sta.uwi.edu | |
| dc.subject.lcsh | Walcott, Derek -- Criticism and interpretation | |
| dc.title | Heretical reconciliation: the word as creative rite, spectacle and performance in the work of Derek Walcott | en |
| dc.type | Thesis | en |
