| dc.contributor.author |
Andall, Laurie |
en_US |
| dc.contributor.other |
The University of the West Indies, St Augustine Campus, Trinidad and Tobago |
en_US |
| dc.date.accessioned |
2015-09-21T17:00:54Z |
|
| dc.date.available |
2015-09-21T17:00:54Z |
|
| dc.date.issued |
Jun-12 |
en_US |
| dc.identifier |
8 |
en_US |
| dc.identifier.citation |
Andall, Laurie. "Negotiating Pan's Labyrinth." TandT Review. Jun. 2012: 8. Print. |
en_US |
| dc.identifier.uri |
http://hdl.handle.net/2139/40903 |
|
| dc.description.abstract |
The article traces the development of the steelpan and its move from the periphery to the centre, especially during panorama festivities. However, a clear policy on Pan as the national instrument is still to be declared. |
en_US |
| dc.publisher |
TandT Review |
en_US |
| dc.rights |
©Trinidad and Tobago Review. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research. |
en_US |
| dc.subject.lcsh |
Steel drum (Musical instrument) -- Trinidad and Tobago -- History |
en_US |
| dc.subject.lcsh |
Steel band music -- Trinidad and Tobago |
en_US |
| dc.subject.lcsh |
Steel band music -- Trinidad and Tobago -- History |
en_US |
| dc.title |
Negotiating Pan's Labyrinth |
en_US |
