Negotiating Pan's Labyrinth

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dc.contributor.author Andall, Laurie en_US
dc.contributor.other The University of the West Indies, St Augustine Campus, Trinidad and Tobago en_US
dc.date.accessioned 2015-09-21T17:00:54Z
dc.date.available 2015-09-21T17:00:54Z
dc.date.issued Jun-12 en_US
dc.identifier 8 en_US
dc.identifier.citation Andall, Laurie. "Negotiating Pan's Labyrinth." TandT Review. Jun. 2012: 8. Print. en_US
dc.identifier.uri http://hdl.handle.net/2139/40903
dc.description.abstract The article traces the development of the steelpan and its move from the periphery to the centre, especially during panorama festivities. However, a clear policy on Pan as the national instrument is still to be declared. en_US
dc.publisher TandT Review en_US
dc.rights ©Trinidad and Tobago Review. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research. en_US
dc.subject.lcsh Steel drum (Musical instrument) -- Trinidad and Tobago -- History en_US
dc.subject.lcsh Steel band music -- Trinidad and Tobago en_US
dc.subject.lcsh Steel band music -- Trinidad and Tobago -- History en_US
dc.title Negotiating Pan's Labyrinth en_US


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