Negotiating Pan's Labyrinth

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dc.contributor.authorAndall, Laurieen_US
dc.contributor.otherThe University of the West Indies, St Augustine Campus, Trinidad and Tobagoen_US
dc.date.accessioned2015-09-21T17:00:54Z
dc.date.available2015-09-21T17:00:54Z
dc.date.issuedJun-12en_US
dc.description.abstractThe article traces the development of the steelpan and its move from the periphery to the centre, especially during panorama festivities. However, a clear policy on Pan as the national instrument is still to be declared.en_US
dc.identifier8en_US
dc.identifier.citationAndall, Laurie. "Negotiating Pan's Labyrinth." TandT Review. Jun. 2012: 8. Print.en_US
dc.identifier.urihttps://hdl.handle.net/2139/40903
dc.publisherTandT Reviewen_US
dc.rights©Trinidad and Tobago Review. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research.en_US
dc.subject.lcshSteel drum (Musical instrument) -- Trinidad and Tobago -- Historyen_US
dc.subject.lcshSteel band music -- Trinidad and Tobagoen_US
dc.subject.lcshSteel band music -- Trinidad and Tobago -- Historyen_US
dc.titleNegotiating Pan's Labyrinthen_US

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