How the Outcasts were Taken in

dc.contributor.authorUnknownen_US
dc.contributor.otherThe University of the West Indies, St Augustine Campus, Trinidad and Tobagoen_US
dc.date.accessioned2015-09-21T16:15:21Z
dc.date.available2015-09-21T16:15:21Z
dc.date.issued2-Feb-96en_US
dc.description.abstractThis article examines the importance of the 'bad boys" to the development of pan. The Badjohn thing became necessary because the players, who had discovered this new instrument back in the late 1930s, had to fight just to play the pan.en_US
dc.identifier20en_US
dc.identifier.citation"How the Outcasts were Taken in." Trinidad Guardian. 2 Feb. 1996: 20. Print.en_US
dc.identifier.urihttps://hdl.handle.net/2139/40511
dc.publisherTrinidad Guardianen_US
dc.rights©Trinidad Guardian Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research.en_US
dc.subject.lcshSteel drum (Musical instrument) -- Trinidad and Tobago -- Historyen_US
dc.subject.lcshSteel band music -- Trinidad and Tobagoen_US
dc.subject.lcshMusicians -- Trinidad and Tobagoen_US
dc.subject.lcshSteel bands (Music) -- Trinidad and Tobago -- Historyen_US
dc.titleHow the Outcasts were Taken inen_US

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