Popular music as communication: the political calypso in Trinidad and Tobago 1962-1987
dc.Advisor | Rohlehr, Gordon, 1942- | |
dc.DateSubmitted | 1993 | |
dc.DegreeType | Master of Philosophy (M.Phil.) | |
dc.Department | Liberal Arts | |
dc.Institution | University of the West Indies (Saint Augustine, Trinidad and Tobago) | |
dc.LCCallNumber | ML3565 .R44 1993 | |
dc.contributor.author | Regis, Louis | |
dc.date.accessioned | 2009-02-05T16:21:44Z | |
dc.date.available | 2009-02-05T16:21:44Z | |
dc.date.issued | 2009-02-05T16:21:44Z | |
dc.identifier.uri | https://hdl.handle.net/2139/3409 | |
dc.language.iso | en | en |
dc.relation.uri | https://hdl.handle.net/2139/46363 | |
dc.rights | Please contact the West Indiana Division at the University of the West Indies,St.Augustine in order to view the full thesis. Contact: wimail@sta.uwi.edu | |
dc.subject.lcsh | Calypso (Music) -- Political aspects -- Trinidad and Tobago | |
dc.subject.lcsh | Calypso (Music) -- Trinidad and Tobago -- History and criticism | |
dc.title | Popular music as communication: the political calypso in Trinidad and Tobago 1962-1987 | en |
dc.type | Thesis | en |
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