Pan Comes of Age: But Still Remains Homeless

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dc.contributor.authorJohnson, Kimen_US
dc.contributor.otherThe University of the West Indies, St Augustine Campus, Trinidad and Tobagoen_US
dc.date.accessioned2015-09-21T16:58:46Z
dc.date.available2015-09-21T16:58:46Z
dc.date.issued29-Aug-95en_US
dc.description.abstractThe pan exhibition "Coming of Age" has evolved over the years, arising in 1993 to mark the graduation of the one-year Pan Technology course at Exodus panyard, the exhibition has grown more comprehensive but remains homeless. The exhibition which is comprised of artifacts and photographs has been on display at Mille Fleurs, the Central Bank, and mounted on the walkway around the Culture Ministry. It is divided into four sections: the Pre-pan era; the Pre-TASPO (Trinidad All Steel Percussion Orchestra, 1951) era; the pre-Independence era and the Panorama era. Musicologist Mervyn Williams, the curator of the exhibition gives details of the collection.en_US
dc.identifier15en_US
dc.identifier.citationJohnson, Kim. "Pan Comes of Age: But Still Remains Homeless." Express. 29 Aug. 1995: 15. Print.en_US
dc.identifier.urihttps://hdl.handle.net/2139/40869
dc.publisherExpressen_US
dc.rights©Trinidad Express Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research.en_US
dc.subject.lcshSteel drum (Musical instrument) -- Trinidad and Tobago -- Historyen_US
dc.subject.lcshSteel drum (Musical instrument) -- Research -- Trinidad and Tobagoen_US
dc.subject.lcshSteel band music -- Trinidad and Tobagoen_US
dc.subject.lcshSteel bands (Music) -- Trinidad and Tobago -- Historyen_US
dc.titlePan Comes of Age: But Still Remains Homelessen_US

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