Pannists in the Rapso Too
dc.contributor.author | Joseph, Terry | en_US |
dc.contributor.other | The University of the West Indies, St Augustine Campus, Trinidad and Tobago | en_US |
dc.date.accessioned | 2015-09-21T16:16:02Z | |
dc.date.available | 2015-09-21T16:16:02Z | |
dc.date.issued | 9-May-96 | en_US |
dc.description.abstract | Long before the invention of Panorama, panmen were playing a kind of rapso, using phonetics with a rhythm to imitate their instruments. Brother Resistance, the major crusader for the rapso art form identified groups and persons who contributed to the development of the oral tradition. | en_US |
dc.identifier | 32 | en_US |
dc.identifier.citation | Joseph, Terry. "Pannists in the Rapso Too." Express. 9 May. 1996: 32. Print. | en_US |
dc.identifier.uri | https://hdl.handle.net/2139/40603 | |
dc.publisher | Express | en_US |
dc.rights | ©Trinidad Express Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research. | en_US |
dc.subject.lcsh | Steel bands (Music) -- Trinidad and Tobago -- History | en_US |
dc.subject.lcsh | Steel band music -- Trinidad and Tobago | en_US |
dc.subject.lcsh | Popular music -- Social aspects -- Trinidad and Tobago | en_US |
dc.subject.lcsh | Rapso -- Trinidad and Tobago | en_US |
dc.title | Pannists in the Rapso Too | en_US |
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