dc.contributor.author |
Whiteman, Nadia S. |
|
dc.date.accessioned |
2018-02-05T16:54:29Z |
|
dc.date.available |
2018-02-05T16:54:29Z |
|
dc.identifier.uri |
http://hdl.handle.net/2139/45231 |
|
dc.relation.uri |
http://hdl.handle.net/2139/45290 |
|
dc.rights |
Please contact the West Indiana Division at the University of the West Indies,St.Augustine in order to view the full thesis. Contact: wimail@sta.uwi.edu |
|
dc.rights |
Please contact the West Indiana Division at the University of the West Indies,St.Augustine in order to view the full thesis. Contact: wimail@sta.uwi.edu |
|
dc.subject.lcsh |
Rock music -- Jamaica |
|
dc.subject.lcsh |
Music -- Jamaica -- Foreign influences |
|
dc.subject.lcsh |
Jamaica -- Music -- Foreign influences |
|
dc.title |
Between the mainstream and alternative : an ethnographic analysis of social capital and the politics of difference in the Jamaican rock music scene |
|
dc.type |
Theses |
|
dc.type |
Theses |
|
dc.LCCallNumber |
ML3534.6.J25 W45 2016 |
|
dc.Faculty |
Humanities and Education |
|
dc.Advisor |
Forde, Maarit |
|
dc.Department |
Literary, Cultural and Communication Studies |
|
dc.DateSubmitted |
2016 |
|
dc.Institution |
University of the West Indies (Saint Augustine, Trinidad and Tobago) |
|
dc.DegreeType |
Doctor of Philosophy (Ph.D.) |
|