| dc.contributor.author |
Unknown |
en_US |
| dc.contributor.other |
The University of the West Indies, St Augustine Campus, Trinidad and Tobago |
en_US |
| dc.date.accessioned |
2015-09-21T16:15:21Z |
|
| dc.date.available |
2015-09-21T16:15:21Z |
|
| dc.date.issued |
2-Feb-96 |
en_US |
| dc.identifier |
20 |
en_US |
| dc.identifier.citation |
"How the Outcasts were Taken in." Trinidad Guardian. 2 Feb. 1996: 20. Print. |
en_US |
| dc.identifier.uri |
http://hdl.handle.net/2139/40511 |
|
| dc.description.abstract |
This article examines the importance of the 'bad boys" to the development of pan. The Badjohn thing became necessary because the players, who had discovered this new instrument back in the late 1930s, had to fight just to play the pan. |
en_US |
| dc.publisher |
Trinidad Guardian |
en_US |
| dc.rights |
©Trinidad Guardian Newspapers. This material is protected under Copyright Act of Trinidad and Tobago. You may use the digitized material for private study, scholarship, or research. |
en_US |
| dc.subject.lcsh |
Steel drum (Musical instrument) -- Trinidad and Tobago -- History |
en_US |
| dc.subject.lcsh |
Steel band music -- Trinidad and Tobago |
en_US |
| dc.subject.lcsh |
Musicians -- Trinidad and Tobago |
en_US |
| dc.subject.lcsh |
Steel bands (Music) -- Trinidad and Tobago -- History |
en_US |
| dc.title |
How the Outcasts were Taken in |
en_US |
